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I'm giving it a bit of a hard time. I actually had fun watching In Time, for all its flaws. Andrew Niccol wrote and directed Gattaca and wrote The Truman Show, which were two of my favorite science fiction films of the 1990's. Though he's never since reached the level of those first two movies, he's still quite good at high concepts and big ideas.
The idea behind In Time is that in a vague, distant future (no year is specified), genetic engineering has found a cure for aging. We are now programmed to stop aging on our 25th birthday, and then you get one year. That year isn't just the time you have left, though, it's also your currency. People buy and sell goods and services with their life. If for any reason, the ticker on your wrist runs out, you drop dead on the spot.
When Will wakes up, his first plan is to take his mom and head up to Greenwich, but when his mom dies on the way to meet him because bus prices just went up, it becomes... personal. He heads to Greenwich on his own, wins another millenium in a poker game, gets chased by Time Keepers (the time police, led by Cillian Murphy), falls in love with and kidnaps a rich man's daughter (Amanda Seyfried). Together they become Chronobonnie and Time Clyde, sort of Robin Hood figures who steal time from the rich and give to the poor.
The story is pretty fun. It lifts elements from a lot of different sources, which is OK if they are put to good use. I personally enjoy movies set in elaborate sci-fi worlds with their own sets of rules, so that aspect was fun for me. In Time's weakness is in the script itself. The dialogue is often pretty bad. Every bad play on words and pun involving time is used. The characters mostly feel pretty stock. They feel more like they're there to serve their purpose in the story than be real people. The class metaphor is forced on us pretty hard and often feels belabored and obvious.
The cast is actually pretty good. I actually like all the young-ish actors in it, and think they all could have done better if their characters had a little more depth. Andrew Niccol wisely put his best actors in the roles of older characters. Cillian Murphy and Vincent Kartheiser give the best performances. Kartheiser does a variation on his Mad Men character when playing Sylvia's father. He definitely sells the weight of old age better than I think Timberlake would have done (and Olivia Wilde, who I never bought as Timberlake's mom). There's one guy I want to point out, one of the Minute Men, who doesn't even have much of a speaking part, but decided it would be awesome if he wore a fedora slightly tilted. I have nothing to say about his performance, I just thought he looked ridiculous. He could be one of Timberlake's backup dancers.
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